At the final stop of a sold-out tour, PRESIDENT returned to London delivering a immersive set showcasing both their rising profile and the strength of their growing fanbase.

The Music Is Black: A British Story surveys 125 years of Black music-making in Britain through more than 200 objects and an immersive headset soundtrack of over 120 tracks.

Cruel World is clean and it’s polished, but the record is laced with a plethora of musical quirks that, alongside of a couple of pop epics, just about keep it interesting.

Arlo Parks celebrates nocturnal spaces and finds solace somewhere between escapism and realisation on Ambiguous Desire.

Takedown Festival 2026 struck a powerful balance between tribute and triumph, blending heartfelt moments with relentless energy.

Not many documentaries manage to be as intellectually ambitious and emotionally raw as D is for Distance, a deeply personal yet far-reaching work from Christopher Petit and Emma Matthews.

With L.I.V.E. In São Paulo, Bring Me The Horizon don’t just document a concert; they redefine what a live music film can be.

Waterparks brought the hugely successful Prowler Tour to Bristol with support from Greywind, serving as a strong reminder of why the trio remain one of the most unpredictable yet exciting forces.

BTS’s Arirang is a carefully crafted piece of work that perfectly balances heritage, identity, and pop into the comeback album of the year.