Black Hole Radio is an admissible debut EP effort for the Briton quartet. There’s no danger involved in making this Stranger Girl acquaintance.

Hailing from Texas and now taking Los Angeles by storm, new Hopeless Records signee DE’WAYNE isn’t messing around with the release of his debut album, Stains.

Alyssa Joseph’s heartfelt EP alive cements her as a singer-songwriter to look out for, one that meshes vulnerable and intimate moments with gritty, angsty rock.

After a six year wait and a pretty pastel rebrand, the Ohio duo are back with their sixth studio album Scaled and Icy, that is as quintessentially Twenty One Pilots as fans would have hoped for.

Iranian-America pop singer/songwriter Susan Darvishi releases her debut album 14th and 4th, an introspective record about her time spent living in New York City and her experiences there shaped her into the person she is today.

Naming your fourth studio album Greatest Hits is an ambitious move for anyone, but for Texan trio Waterparks, it’s not surprising at all. While no two tracks sound the same, the album is a perfectly cohesive body of work, and it really is an album full of their greatest hits.

Build A Problem is self-conscious, haunting and raw. It’s also beautiful, engaging and thrilling. Dodie Clark has been able to weave her personal trauma into an ineffable piece of art with her debut album.

Cold Moon follow up on the success of their EP rising with this highly recommended feature album, and it is clear from the first listen that they are an experienced group with a lot to accomplish.

After capturing hearts with their debut ep Going Nowhere Fast, Pretty Preachers Club are back with their second EP, Romance and Adolescence; a candid and comforting insight into the hearts and minds of one of Glasgow’s newest and most wholesome indie-pop duos.