Cruel World is clean and it’s polished, but the record is laced with a plethora of musical quirks that, alongside of a couple of pop epics, just about keep it interesting.

Arlo Parks celebrates nocturnal spaces and finds solace somewhere between escapism and realisation on Ambiguous Desire.

Takedown Festival 2026 struck a powerful balance between tribute and triumph, blending heartfelt moments with relentless energy.

Not many documentaries manage to be as intellectually ambitious and emotionally raw as D is for Distance, a deeply personal yet far-reaching work from Christopher Petit and Emma Matthews.

With L.I.V.E. In São Paulo, Bring Me The Horizon don’t just document a concert; they redefine what a live music film can be.

Waterparks brought the hugely successful Prowler Tour to Bristol with support from Greywind, serving as a strong reminder of why the trio remain one of the most unpredictable yet exciting forces.

Banners, bangers and buffoonery - beloved indie rock/psych band FEET return to the touring world, ahead of their upcoming album. Delve into the shenanigans at Arts Club, Liverpool.

BTS’s Arirang is a carefully crafted piece of work that perfectly balances heritage, identity, and pop into the comeback album of the year.

Fifteen years into its West End run at the Cambridge Theatre, Matilda The Musical shows no signs of losing its mischievous sparkle. Quite the opposite: this anarchic, big-hearted adaptation of Roald Dahl’s beloved story feels as fresh, funny and emotionally resonant as ever.