4ra 4ra’s CHROMEsoME is dripping in chrome and gloss, almost to the point of overload, with production that feels like a machine overheating mid-flex. Flashy? Absolutely. But somewhere in all that polish, you start wondering where the soul slipped off to.

The Music Is Black: A British Story surveys 125 years of Black music-making in Britain through more than 200 objects and an immersive headset soundtrack of over 120 tracks.

“This feels right,” Easy Honey at The Green Door in Lansing, MI with support from Glass-Beagle.

Black Foxxes rock Nottingham’s Bodega in the penultimate show of the UK leg of their world tour, featuring support from Sweet Giant.

Cruel World is clean and it’s polished, but the record is laced with a plethora of musical quirks that, alongside of a couple of pop epics, just about keep it interesting.

Arlo Parks celebrates nocturnal spaces and finds solace somewhere between escapism and realisation on Ambiguous Desire.

Takedown Festival 2026 struck a powerful balance between tribute and triumph, blending heartfelt moments with relentless energy.

Not many documentaries manage to be as intellectually ambitious and emotionally raw as D is for Distance, a deeply personal yet far-reaching work from Christopher Petit and Emma Matthews.

With L.I.V.E. In São Paulo, Bring Me The Horizon don’t just document a concert; they redefine what a live music film can be.